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The greatest Sony lenses
Table of Contents
The Sony A6100, A6400 and A6600 may be regarded modern replacements for the Sony A6000, A6300 and A6500 correspondingly, but while the old ones remain on sale, there are still six cameras to pick from.
We felt it may soon become five. The A6300 is increasingly harder to get, and it was something of a stopgap model before the arrival of the A6500 anyhow, but there are still a few around. We also hope the A6500 carries on because it has a considerably higher buffer capacity for continuous shooting than any of the others – including its ‘replacement’, the A6600.
So let’s have a look at each of these cameras in turn, its history and its aptitude for different sorts of photography and video.
The A6000 shares the same 24-megapixel resolution as its successors and looks very similar to them, too. Neither the viewfinder’s resolution nor the maximum video resolution of 1080p will be an issue for still photographers. Although it is not up to Sony’s usual standards, the focusing mechanism holds its own against that of competing brands. For a photographer on a tight budget, this model performs as well as any other still camera on the market today. The A6500 has a much greater burst depth, while later cameras feature superior processors and high-ISO image quality. Furthermore, the A6500 or A6600 is required for in-body image stabilisation. Besides that, the A6000 is still competitive.
The Sony A6300 was revolutionary because it introduced 4K video with Sony’s S-Log2, S-Log3 modes, making it a legitimate 4K filmmaking tool from the get-go. The A6300 also included a higher-resolution electronic viewfinder (EVF) and a more advanced AF system with 425 phase detection AF points. Still, it didn’t meet all expectations because it lacked in-body image stabilisation and had noticeably less buffer capacity than the A6000. While the A6300 may be the first of Sony’s A6000-series cameras to disappear from dealer shelves due to the rapid release of the much more powerful A6500, there are still quite a few of them in circulation.
Sony’s A6500 is a formidable camera. It was released only 8 months after the A6300, but its specifications completely obliterated those of the A6300. In-body stabilization, the first of its kind in an A6000-series camera, and a massive 233 JPEG 107 RAW buffer capacity make the A6500 more than twice as good as any other A6000-series camera before or since. The A6500 also has the same AF system as the A6300 (425 phase detection AF points, 169 contrast AF points), the same 2.36m dot EVF, and the same 4K video features and log modes. The A6500 is still an excellent investment if you’re looking for a high-quality stills-video all-rounder that’s especially well suited to action photography. It’s not common these days, and if you find some, you might be disappointed by how well the price has held up.
Because of its position in the centre of the “new” range, comparable to that of the “old” range’s A6300, this can be seen of as a replacement for that model. Because of its 180-degree flip screen, the A6400 is ideal for taking selfies or, more importantly, filming yourself giving a presentation in front of the camera, making it a great tool for bloggers, vloggers, and content creators. There are 425 phase detection AF points, 425 contrast AF points, and Sony’s ingenious Eye AF, all of which contribute to an AF acquisition time of a reported 0.2 seconds. Sony’s S-Log2 and S-Log3 log modes, as well as the brand new HLG (Hybrid Log Gamma) option, are all supported during video capture at 4K resolution. The A6400 is a good vlogging camera and costs less than the A6500 and A6600, but it is still not cheap.
Though it eventually will replace the more affordable A6000, the current price makes it seem more like a premium model. Notable differences include a 180-degree flip screen, 4K video recording (though not log modes), and a fast, responsive AF system from Sony, rated at just 0.02 seconds. Though the newer model’s BIONZ processor allows for a higher maximum ISO, otherwise the two cameras are remarkably similar. The A6100 maintains the rather low-res EVF of the A6000 and the same cramped feeling 3-inch 922k dot ‘wide’ rear screen as the rest of the A6000 series. The A6100 doesn’t really improve upon the A6000 in any meaningful way if still photography is your primary interest. With regards to video, the A6400 is superior to the A6100. We think the A6100 is somewhere in the middle, as it is neither too basic nor too advanced to be particularly appealing.
The A6600 is Sony’s new flagship model, and it essentially replaces the A6500, albeit in a slightly different vein. They both have in-body image stabilization, but the A6500 is slightly more advanced. The addition of the new FZ100 battery, which provides twice as much juice as the previous batteries, also contributes to the bulkier appearance. While its siblings also support 4K capture and log modes, the A6600 distinguishes itself with the addition of a headphone jack for monitoring audio levels and the ability to use Eye AF and Animal Eye AF in real time during video recording. While the A6500 has an enormous buffer, the A6600 falls short. The A6500 is the superior choice if you need a camera for continuous shooting at high speeds, such as when photographing sports. If the A6600 is any indication, Sony is committed to video in a big way.
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